Maria reviews The Bauhaus Group

January 27th, 2010

The Bauhaus Group: Six masters of modernism by Nicholas Fox Weber

Last fall, during Global Gathering Germany, architect Christopher Wegscheid gave a talk on the history of the Bauhaus school of Germany.  While it’s not something I would have normally gone to, I arranged for the talk and I personally know Christopher.  I knew it would be an entertaining presentation, regardless of whether or not I had an interest in the subject.

Well, I was right.  It was fascinating.  And so when I saw a review for The Bauhaus Group: Six master of modernism by Nicholas Fox Weber, I had to read it.  I have to tell you, it took me weeks to finish it, but I’m glad it did.

The Bauhaus was born, lived and died during such a tumultuous period of Germany history that its mere existence holds interest for me.  I think Weber did a great job of conveying the ideals of the Bauhaus.  Ornament obscures; the beauty of an object lies in its form.  Industry and art are not mutually exclusive.  Appreciate anything that is very well-done; a well-played sport is preferable to a poorly-performed play.

The biographies of these six players (Walter Gropius, the founder of the Bauhaus, Paul Klee, Wassily Kandinsky, Josef and Anni Albers, and Mies van der Rohe) are rife with drama, politics, brilliance, pettiness, and, always, a love of art and creativity.  They make for riveting reading.  What made this such a long haul for me, however, was the extensive discussion of art theory.  Of course, that’s to be expected in a book of this type.  It’s just not something my brain wraps itself around easily.

What I was less enthusiastic about was how often Weber inserted himself into the biographies.  Most especially his coverage of Josef and Anni Albers, whom he knew personally and of whose Foundation he is now the director, was less a recounting of their time at the Bauhaus and more of their time with Weber himself.

Nonetheless, while I still cannot say that I’m a huge fan of modernism, I have a new appreciation for the Bauhaus ideals, and, I hope, will make more of an effort to see the beauty in the natural form of everything around me, as the true Bauhauslers did.

Maria reviews Scratch Beginnings

January 20th, 2010

Scratch Beginnings: Me, $25, and the search for the American dream by Adam Shepard

Just like almost every other college graduate, Adam wanted to see if he could make it on his own.  Unlike other graduates, Adam put himself to a severe test.  He gave away everything he owned, picked the name of a city out of a hat, and bought a one-way ticket to Charleston with $25 in his pocket.  He gave himself one year to to have $2500, a working automobile and a furnished apartment.

I love the premise of this; it was a good read, and very interesting.  But Shepard still comes across as demeaning to the people he means to be celebrating (for example, telling the busdriver he’s no one special even as he applauds the man’s initiative in being cheerful and friendly every day - as if the driver is cheerful and friendly in spite of being no one special, instead of because of it.)  It may be this relatively easy for a single, young, healthy man to make something of himself, but those with illness or disabilities, or those with children will still have a much harder time.  I think I need to read Nickel and Dimed: on (not) getting by in America by Barbara Ehrenreich to get the other side of the story.

Maria reviews A Dirty Job

January 20th, 2010

A Dirty Job by Christopher Moore

Charlie Asher’s new job is to collect souls and steer them to new owners. All it involves is safeguarding the items that come to his secondhand store until someone chooses them. Until some scary creatures from the sewers start competing for those souls - then it gets quite messy. Christopher Moore is one of my new favorite authors; he writes smart urban fantasies that just tickle my funny bone.